THE HUNTERS (inks). The naked inks before I colored it digitally and it became a 5-color limited-edition silkscreen, part of Telegraph Gallery’s inaugural show “MONSTROUS.” I believe there are still some available, right here!
THE HUNTERS (inks). The naked inks before I colored it digitally and it became a 5-color limited-edition silkscreen, part of Telegraph Gallery’s inaugural show “MONSTROUS.” I believe there are still some available, right here!
TIGER BEAT, CUB REPORTER. One of the one-hour drawings I’ve been doing, available for purchasing by you right here. All the ones thus far are here. Subject suggestion: none. I’ve been into drawing animals lately, what can I say?
MORNING COMMUTE. One of the one-hour drawings I’ve been doing, available for purchasing by you right here. All the ones thus far are here. Subject suggestion: none. I might re-ink this and turn it into a print next month, if people seem interested.
YOUNG WOLFHARD IN THE ROCKS. This was *ostensibly* a one-hour drawing, like the ones I sell right here, but it was for my friend Steve Wolfhard, and I guess I got a little carried away. So sue me! I point this out mainly so that if you buy a one-hour drawing, you’re not all pissed if I don’t spend hours and hours on it like this one. You can see all the regular-strength one-hour drawings here.
If you’re not familiar with Steve’s work, Cat Rackham is one of the best, happiest, saddest comics you’ll ever read, and Steve is the best, on the rocks or just plain neat.
A Relaxing Drive In The English Countryside. One of a two-piece set of commissions meant to be a gift for an English couple who love, well, sweet old cars and gardens. You can see the other one on my Flickr.
Here’s a print I drew for a P.T. Anderson collection of posters from Mondo. Thanks to Aaron Horkey and his curatorial benificence.
Warthog (by Fahd Mumtaz)
Matt Stevens made these. http://hellomattstevens.com/
These are so cool, wish I knew who made them. Anyone know?
Attention is what creates value. Artworks are made as well by how people interact with them — and therefore by what quality of interaction they can...
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Sue Storm sketches, c. 2004. Client: Marvel. Job: Ultimate Fantastic Four